Karina, Anastasia Yesi (2014) TZVETAN TODOROV’S NARRATIVE THEORY AND CINEMATOGRAPHIC MEANS IN DANNY BOYLE’S (2010) 127 HOURS. Other thesis, PRODI SASTRA INGGRIS UNIKA SOEGIJAPRANATA.

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Abstract

A film is an appreciation of the art works that tells us about life which can be heard and watched. A film is meant to entertain the audience. In this study, the writer attempts to help the readers understand more about the film narrative through the application of Tzvetan Todorov’s narrative theory and through the application of a number of cinematographic means in a film entitled 127 Hours. This film tells about a story of a mountain climber, Aron Ralston, who saves himself after a fallen rock rolls onto his right arm and traps him in an isolated canyon in Utah. Over the next five days, Aron tries to survive and finally discovers that he has courage to extricate himself from the rock which rolls onto his right arm. This is a biographical drama film which, the writer argues, includes the equilibrium, disruption of equilibrium by an event, recognition of the disorder, attempt to repair damage, and the restoration as Tzvetan Todorov’s narrative structure. In addition, cinematographic means seem to support the application of Tzvetan Todorov’s narrative theory in the film by showing and describing the essential scenes. To the use of the combination between the literature and film studies, this study attests 127 Hours as a biographical film seen from Todorov’s narrative theory and the application of cinematographic means

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