Dukut, Ekawati Marhaenny (2021) History and Transformation of Calung to Punklung. MAKNA: Jurnal Kajian Komunikasi, Bahasa dan Budaya, 8 (1). pp. 51-69. ISSN eISSN : 25281968 | pISSN : 2528195X
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Abstract
This research aims to find out the history of how the calung Malioboro has transformed into punklung history by using Maruska Svašek’s theory of Transit, Transiton and Transformation. The perspectives of Cultural Hybridity and Performing Arts Management are also applied to analyze the phenomenon. The research methodology employed in this research is descriptive qualitative analysis, in which to obtain the data, a purposive method is used to choose the punklung groups from Yogyakarta and Semarang area. The research reveals that there is a transformation process from the calung originated from Banyumas until it receives a number of modifications to become calung Malioboro version. In its development, the cultural art product is then known as punklung. The modification from the transformation is found by the researchers as a product of mixing the local angklung and calung instruments with the global culture of the punks. Hence, the Cultural Hybridity perspective is used to analyze the phenomenon. In analyzing the punklung phenomenon, the research finds out that by using the Performing Arts Management perspective, the limited punklung stage is accepted as the location of the group is usually at the corner of a traffic light.
Item Type: | Article |
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Subjects: | 800 Literature |
Divisions: | Faculty of Language and Art > Department of English Literature |
Depositing User: | Ms Ekawati Marhaenny Dukut |
Date Deposited: | 22 Oct 2021 05:33 |
Last Modified: | 27 Jun 2024 23:40 |
URI: | http://repository.unika.ac.id/id/eprint/27182 |
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